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Issues begin when we start labeling things. “Pakistan is not the sort of country that we make it to be. “Why would I be scared?” he asks, pointing to a history of cross-dressing in Pakistani art. Perhaps most surprisingly, Moiz has navigated a conservative system hassle-free. Yet his act might not be one-of-a-kind for long: Moiz is launching what he calls his “House of Rads” to foster the next generation of drag queens who might otherwise fear judgment. In the future - shows are on pause right now amid the coronavirus pandemic, and it’s unclear when they will return - Moiz plans to include multiple stand-up elements in his shows. “They were supposed to be theatrical, full-on Desi drag experiences,” he says. Moiz is currently dissatisfied with his shows, feeling they’ve become too run-of-the-mill, as he just tells jokes and leaves. When he had performed about 20 times, his audiences grew from about 50 to 200 per show. He was proven wrong, as audiences responded rapturously. Still, he didn’t think he was made for stand-up, and he went into his first show expecting failure. But it wasn’t just about dressing up he always saw his persona as comedic. They care more about one’s behavior here.” He made sure his family understood the issues they would face but wanted to steer clear of their battles.Īfter earning his master’s degree in public health from George Washington University in the United States, Moiz started toying with the idea of drag performances. If they aren’t suspicious of your manhood, they won’t question your sexual history. “Even though people were suspicious that I might be gay, they didn’t care,” he says. Moiz’s queer politics have never been a rainbow flag and a pride march.
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By day, Moiz is a senior public health manager with one of Pakistan’s leading health agencies, training health care staff on how to deal with patients. But given his financial independence, he lives under his own rules. His parents do not approve of his performances, and their friends and neighbors often question them about their son’s behavior. “All of these things that I associated with the female gender, i.e., to dance, act, be sexual, were suddenly becoming very empowering for me in a very traditional Pakistani setup,” he says. In the final year of his medical degree, Moiz danced to “Fevicol Se,” a popular Bollywood dance number, in front of his teachers and classmates. “I always loved performing, and I knew I would do it better than them,” he says.
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In his all-boys secondary school, other students would shy away or give a bad performance of the female lead. In school plays, Moiz would always opt for the female roles. The reply from his mother did not win him over: “Because that is how God has directed us to do.” At the tender age of 7, he finally asked what was so wrong with doing a task like a girl. He remembers always being told to behave like a boy. The youngest of six, with five older sisters, Moiz was born to a conventional family from Pakistan’s north. “I approach gender at a very level playing field because I have always questioned gender stereotypes,” Moiz says. The 29-year-old loves to work the crowd, asking older men, “Hi, daddy, do you have sugar?”īe it Phudina Chatni or Shumaila Bhatti - a career-minded girl stuck in a judgmental society - Moiz’s personae challenge biases through humor. Her sets revolve around taboos: stories about her sexuality, her beauty, about the numerous men she has fucked with physically and mentally, loose talk about vaginas and penises, how society ignores sexual behavior. “She pushes the boundaries of our society through content the outfits add to the ambiance,” explains Moiz Kazmi, her manager. In conservative Pakistan, neither drag nor dirty comedy is common, and Chatni is the first person to combine the two into a rollicking show that’s taken Karachi by storm. A spider climbed out the other day, crying out of all its 19 eyes, and asked me, ‘Why?'” Then Miss Phudina Chatni (Miss Mint Sauce) steps up to the mic: “It’s been so lonely up my pussy. The audience is visibly shocked but hoots and whistles. As about 50 people cram into every crevice of a tiny art space, a drag queen wearing a sheer black robe over a red bikini enters dancing to a sensual Bollywood number.